nmwa presents faith ringgold’s politically charged paintings of the 1960s

By on December 23, 2013
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WASHINGTON—Best known as the originator of the African American story quilt revival that began in the 1970s, Faith Ringgold’s pointed political paintings of the 1960s are the focus of American People, Black Light: Faith Ringgold’s Paintings of the 1960s, an exhibition on view at the National Museum of Women in the Arts (NMWA) June 21–Nov. 10, 2013. The exhibition explores the emotional and at times contentious issues that were at the forefront of her experience of racial inequality in the United States during the 1960s. Ringgold created bold, provocative paintings in direct response to the Civil Rights and feminist movements. With only a few exceptions, these once influential paintings disappeared from view, omitted from critical art-historical discourse for more than 40 years. The exhibition includes 45 works from the landmark series American People (1963–67) and Black Light (1967–71), along with related murals and political posters.

“In this important anniversary year for the Civil Right movement, NMWA is proud to show these little known but important early paintings by Faith Ringgold. This engaging and challenging exhibition reflects the depth of Ringgold’s work and the compelling issues she addresses,” said NMWA Director Susan Fisher Sterling. “Art and activism in the 1960s broadened opportunities within the art world for women artists, a goal that we continue to strive for at the National Museum of Women in the Arts.”

During 1963, the year of the March on Washington, the 100th anniversary of the Emancipation Proclamation, and the political assassinations of Medgar Evers and John F. Kennedy, Ringgold began work on a series of 20 paintings entitled American People. Rendered in a style that synthesizes post-cubist Picasso, pop art, and traditional African sculpture and textiles, these paintings present subjects black and white, male and female, and rich and poor. In her words, “American People is about the condition of black and white America and the paradoxes of integration felt by many black Americans.”

National Museum of Women in the Arts

Founded in 1981 and opened in 1987, NMWA is the only museum solely dedicated to celebrating the achievements of women in the visual, performing and literary arts. The museum’s collection features 4,500 works from the 16th century to the present created by more than 1,000 artists, along with special collections of 18th-century silver tableware and botanical prints. NMWA is located at 1250 New York Avenue, NW, Washington, D.C., in a landmark building near the White House. For information, call 202-783-5000 or visit www.nmwa.org.

 

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